video-production

What this skill does

# Video Production

Comprehensive guide for professional video production across all platforms.

## Production Phases

### The 3 Phases

| Phase               | Activities                         | Deliverables                |
| ------------------- | ---------------------------------- | --------------------------- |
| **Pre-Production**  | Planning, scripting, storyboarding | Script, shot list, schedule |
| **Production**      | Filming, recording                 | Raw footage, audio          |
| **Post-Production** | Editing, VFX, color, sound         | Final deliverable           |

---

## Pre-Production

### Script Format

```
SCENE 1 - INT. OFFICE - DAY

Wide shot of open office space. ALEX (30s) sits at desk.

ALEX
(looking at screen)
This is where the magic happens.

CUT TO: Close-up of computer screen showing code.

NARRATOR (V.O.)
In today's tutorial, we'll cover...
```

### Shot List Template

| #   | Scene | Shot Type      | Description         | Duration | Notes            |
| --- | ----- | -------------- | ------------------- | -------- | ---------------- |
| 1   | Intro | Wide           | Office establishing | 3s       | Natural lighting |
| 2   | Intro | Close-up       | Subject face        | 5s       | Eye contact      |
| 3   | Demo  | Screen capture | Code editor         | 30s      | 1080p60          |

### Storyboard Elements

```
┌─────────────────────────┐
│    [Rough sketch]       │
│                         │
│    ┌───┐               │
│    │ O │  ←Subject      │
│    └─┬─┘               │
│      │                  │
├─────────────────────────┤
│ Shot: Medium close-up   │
│ Action: Subject speaks  │
│ Audio: Dialogue + music │
│ Duration: 5 seconds     │
│ Notes: Eye-level angle  │
└─────────────────────────┘
```

---

## Camera Fundamentals

### Shot Types

```
FRAMING:
┌─────────────┐     ┌─────────────┐     ┌─────────────┐
│             │     │    ┌───┐    │     │   ┌─────┐   │
│   ┌───┐     │     │    │ O │    │     │   │  O  │   │
│   │ O │     │     │    └─┬─┘    │     │   │  │  │   │
│   └─┬─┘     │     │     ─┼─     │     │   └──┬──┘   │
│   ──┼──     │     │      │      │     │      │      │
│    /│\      │     │     / \     │     └─────────────┘
│   / │ \     │     │    /   \    │
│  /  │  \    │     └─────────────┘     CLOSE-UP (CU)
│ /   │   \   │
└─────────────┘     MEDIUM (MS)
WIDE/FULL (WS)

EXTREME CLOSE-UP (ECU): Eyes, details only
MEDIUM CLOSE-UP (MCU): Head and shoulders
OVER-THE-SHOULDER (OTS): Person from behind another
TWO-SHOT: Two subjects in frame
```

### Camera Movements

| Movement      | Description         | Effect                |
| ------------- | ------------------- | --------------------- |
| **Pan**       | Horizontal rotation | Reveal, follow action |
| **Tilt**      | Vertical rotation   | Reveal height, power  |
| **Dolly**     | Move toward/away    | Intimacy, reveal      |
| **Truck**     | Move left/right     | Follow alongside      |
| **Crane**     | Vertical elevation  | Epic, establishing    |
| **Zoom**      | Focal length change | Focus attention       |
| **Handheld**  | Natural movement    | Documentary feel      |
| **Steadicam** | Smooth handheld     | Following shots       |

### The Exposure Triangle

```
                    EXPOSURE
                       │
        ┌──────────────┼──────────────┐
        │              │              │
        ▼              ▼              ▼
   ┌─────────┐   ┌─────────┐   ┌─────────┐
   │  ISO    │   │Aperture │   │ Shutter │
   │ 100-12800│   │ f/1.4-22│   │ 1/30-   │
   │         │   │         │   │  1/8000 │
   └────┬────┘   └────┬────┘   └────┬────┘
        │             │             │
   Sensitivity   Depth of      Motion
   (noise)       Field         blur
```

### Video Settings

| Setting           | Standard             | Notes                      |
| ----------------- | -------------------- | -------------------------- |
| **Resolution**    | 1080p, 4K            | Match delivery target      |
| **Frame Rate**    | 24, 30, 60 fps       | 24=film, 30=TV, 60=smooth  |
| **Shutter Speed** | 1/2x frame rate      | 180° rule (1/48 for 24fps) |
| **ISO**           | As low as possible   | Higher = more noise        |
| **Bit Rate**      | 50-400 Mbps          | Higher = better quality    |
| **Codec**         | H.264, H.265, ProRes | ProRes for editing         |

---

## Lighting

### Three-Point Lighting

```
              KEY LIGHT
                 │
                 │  (45° angle)
                 │
                 ▼
    ┌────────────────────────┐
    │                        │
FILL │          👤          │ BACK LIGHT
LIGHT│       Subject         │ (rim/hair)
    │                        │
    └────────────────────────┘
                 │
                 │
              CAMERA
```

| Light    | Purpose            | Intensity      |
| -------- | ------------------ | -------------- |
| **Key**  | Main illumination  | 100% reference |
| **Fill** | Soften shadows     | 50-75% of key  |
| **Back** | Separation from BG | Variable       |

### Lighting Styles

| Style        | Key:Fill Ratio | Mood               |
| ------------ | -------------- | ------------------ |
| **High key** | 1:1 to 2:1     | Bright, optimistic |
| **Medium**   | 3:1 to 4:1     | Natural, neutral   |
| **Low key**  | 8:1+           | Dramatic, moody    |

### Color Temperature

```
Kelvin Scale:
1800K  ████████░░░░░░░░  Candlelight (warm)
2700K  ██████████░░░░░░  Tungsten bulb
3200K  ███████████░░░░░  Halogen
4000K  ████████████░░░░  Moonlight
5600K  ██████████████░░  Daylight (neutral)
6500K  ███████████████░  Overcast
10000K ████████████████  Blue sky (cool)
```

---

## Audio

### Recording Guidelines

| Element         | Target Level  | Notes             |
| --------------- | ------------- | ----------------- |
| **Dialogue**    | -12 to -6 dB  | Peak at -6 dB max |
| **Music**       | -18 to -12 dB | Under dialogue    |
| **SFX**         | Variable      | Support the story |
| **Noise floor** | Below -60 dB  | Record room tone  |

### Microphone Types

| Type          | Best For             | Pattern         |
| ------------- | -------------------- | --------------- |
| **Lavalier**  | Interviews, dialogue | Omnidirectional |
| **Shotgun**   | Film, documentary    | Super-cardioid  |
| **Condenser** | Voiceover, studio    | Cardioid        |
| **Dynamic**   | Loud sources         | Cardioid        |

### Audio Checklist

- [ ] Record room tone (30 seconds minimum)
- [ ] Check levels before recording
- [ ] Monitor with headphones
- [ ] Backup audio recording
- [ ] Sync audio/video with clap

---

## Post-Production

### Editing Workflow

```
1. INGEST
   └─→ Import footage, create proxies if needed

2. ORGANIZE
   └─→ Label clips, create bins/folders, log selects

3. ROUGH CUT
   └─→ Assemble story structure, timing

4. FINE CUT
   └─→ Tighten edits, pacing refinement

5. PICTURE LOCK
   └─→ No more timeline changes

6. COLOR
   └─→ Correction, grading, look development

7. AUDIO MIX
   └─→ Levels, EQ, compression, spatial

8. TITLES/GFX
   └─→ Lower thirds, motion graphics

9. EXPORT
   └─→ Final render, quality check
```

### Editing Software

| Software                | Best For                 | Platform        |
| ----------------------- | ------------------------ | --------------- |
| **DaVinci Resolve**     | Color grading, full edit | All (Free tier) |
| **Adobe Premiere**      | Industry standard        | All             |
| **Final Cut Pro**       | Mac ecosystem            | macOS           |
| **Avid Media Composer** | Broadcast, film          | All             |
| **iMovie**              | Beginners                | macOS/iOS       |
| **CapCut**              | Social media             | Mobile/Desktop  |

### Essential Cuts

| Cut           | Description           | Use                       |
| ------------- | --------------------- | ------------------------- |
| **Hard cut**  | Instant transition    | Standard, dialogue        |
| **J-cut