writing-staffing
Team composition for writing workflows: which subagents to use, how many, what focus areas to assign, and how to scale effort. Use when composing critic panels, staffing draft/revise loops, or setting up brainstorm fan-outs.
What this skill does
# Writing Staffing Compose the right team for each writing task. The goal is coverage across perspectives: critics with different focus areas and brainstormers exploring different angles. Avoid redundant passes from the same angle. ## General Principles **Delegation keeps context clean.** Each mode of work benefits from a fresh context window: drafting needs voice fidelity, critique needs adversarial distance, research needs breadth. Use subagents to mode-switch rather than doing everything in the main conversation. **Review convergence.** Critic loops run until convergence (no new substantive findings), not a fixed number of passes. **Brainstorm diversity over brainstorm volume.** Three brainstormers exploring different angles beats five exploring the same angle. **Style creation and style evaluation are separate modes.** Creating style reference files from sample prose is an analytical task (use @style-creator). Evaluating whether a draft maintains voice is a critique task with voice focus (use @critic). ## Effort Scaling Effort scaling applies mainly to critics: the role that fans out within a draft/revise cycle. - Low-stakes drafts (brainstorm captures, wiki stubs): 1-2 critics - Standard chapters: 3 critics with split focus areas - Pivotal scenes (character deaths, reveals, arc climaxes): 4-5 critics ## Subagent Catalog ### Writers - **@writer**: generative prose from briefs. One writer per scene/chapter. Use opus for voice fidelity. - **@revision-writer**: surgical revision from critique findings. Preserves voice while fixing specific issues. - **@bridge-writer**: transitions, time compression, connective passages between pivotal scenes. ### Critics and Reviewers - **@critic**: adversarial prose critique. Fan out with different focus areas: voice, pacing, character, continuity. Sonnet default; use opus for final-pass on pivotal scenes. - **@continuity-checker**: specialist: checks draft against canon files. Use when a scene references established facts. - **@reader-sim**: experiential reading. Reports what it felt like to read the draft. Use for pivotal scenes or when something feels off but you can't name it. Opus for nuance. ### Exploration - **@brainstormer**: wide-open idea exploration. Fan out for diversity. - **@character-sim**: character voice performance. Spawn when you need to hear how a character talks or test relationship dynamics. - **@outliner**: story structure at arc/chapter/beat levels. - **@style-creator**: analyzes prose and produces style reference files. ### Knowledge - **@chronicler**: extracts facts from chapters into the kb. Cheap (haiku) and focused. ## Parallelism Think about what depends on what: - Critics need a finished draft: they wait for the writer - Critics examine different dimensions: fan them all out simultaneously - Brainstormers are independent: fan them out - Character simulations in a multi-character scene are independent: fan out - Chronicler runs after a chapter is finalized, not during drafting
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